Drishyam The Conclusion Box Office Collections: Ajay Devgn’s thriller enters Week 5 with Rs 1 crore, nears theatrical end

Ajay Devgn’s Drishyam: The Conclusion, directed by Abhishek Pathak, entered Week 5 with a fair hold. The movie collected Rs. 1 crore on its 5th Friday, registering a 20 per cent drop from the last Friday. This took its entire theatrical cume to Rs. 360.80 crore nett at the Indian box office. 

Co-starring Tabu, Jaideep Ahlawat, Prakash Raj, Shriya Saran, Ishita Dutta, and others, the movie is running in its final legs. The thriller drama is heading to make a sum of Rs. 3 to 5 crore in its 5th weekend, which will take its running cume to the Rs. 365 crore mark. Based on current trends, the movie will close its entire run under the Rs. 370 crore mark or so. 

Drishyam: The Conclusion emerged as a huge blockbuster at the box office and the highest-grossing film of Ajay Devgn. 

The Box Office Collections for Drishyam: The Conclusion in India are as follows:

Day

Nett

Week 1

Rs. 237.50 cr.

Week 2

Rs. 83.50 cr. 

 

 

3rd Friday

Rs. 3.00 cr. 

3rd Saturday

Rs. 5.00 cr. 

3rd Sunday

Rs. 6.00 cr.

3rd Monday

Rs. 3.50 cr.

3rd Tuesday

Rs. 6.00 cr. 

3rd Wednesday

Rs. 2.50 cr. 

3rd Thursday

Rs. 2.00 cr. 

   

4th Friday

Rs. 1.25 cr. 

4th Saturday

Rs. 2.75 cr. 
4th Sunday

Rs. 3.00 cr. 

4th Monday

Rs. 1.00 cr. 
4th Tuesday

Rs. 1.25 cr. 

4th Wednesday

Rs. 0.80 cr. 

4th Thursday

Rs. 0.75 cr. (est.)

   
5th Friday

Rs. 1.00 cr. (est.)

Total

Rs. 360.80 cr.

Stay tuned to Pinkvilla for more updates. 

DISCLAIMER: The box office figures, opening-day forecasts, and lifetime collection projections mentioned in this article are subjective trade estimates compiled from various commercial parameters, advance trends, and market sentiment. These are purely analytical tracking figures and do not constitute actual, finalised collections or certified accounting statements. Pinkvilla does not make any representation or warranty, express or implied, regarding the pinpoint accuracy or completeness of these projections. No statement in this article is intended to defame, harm, or malign any individual, production house, artist, or commercial entity involved in the making of the film.

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